back to movies, galaxy
|movies||galaxy||2368||Ferguson, Brad. The Last Stand (Star Trek: TNG). New York: Pocket Books (1995); pg. 174.|| "'Ever see those old films,' Troi asked. 'The ones with a lot of holiday shopping in them? Miracle on Tenth Avenue, or something like that. This reminds me of that. Shopping was part of the religious ritual, wasn't it?'
'You think all this is somehow religious? It doesn't seem that way to me.'
'I don't know,' said Troi. 'Probably not, as the usual symbology is absent. They all seem to be celebrating something, thought, and it's a major celebration.' " [Troi is apparently referring to the Christmas movie Miracle on 34th Street.]
|movies||galaxy||2373||Smith, Dean Wesley & Kristine Kathryn Rusch. The Mist (Star Trek: DS9 / The Captain's Table: Book 3 of 6). New York: Pocket Books (1998); pg. 244.|| "'This place seems like an old movie to me . . . a Gothic mystery . . . one of those stories with the light in the castle tower and the woman in the diaphanous nightgown running across a moor, casting back a fearful glance . . . '
Paris bumped his head on a hanging sign. 'Looks like a western to me.' "
|movies||galaxy||2374||Cox, Greg. Q-Space (Star Trek: TNG / The Q Continuum: Book 1 of 3). New York: Pocket Books (1998); pg. 104.||"Beverly Crusher... while half-listening to the musical score of the new Centauran production of West Side Story... "|
|movies||galaxy||2375||Mack, David. "The Star Trek: New Frontier Minipedia " in Excalibur: Restoration (ST: New Frontier). New York: Pocket Books (2000); pg. 381.|| "Lassie
Fictional canine character of a 20th-century Terran book, movie and television series. Lassie was a collie dog. "
|movies||galaxy||2400||Norton, Andre & Sherwood Smith. A Mind for Trade. New York: Tor (1998; c. 1997); pg. 112.||"'Umik Lim, communications officer for Trade ship Golden Sails out of Ovaelo III. Our sister ship, Wind Runner, is Ovaeli.' " [In 1995 a made-for-television movie named Windrunner premiered on the Disney Channel. It was directed by Utah director William Clark, and written by Latter-day Saint filmmaker Mitch Davis, who later would become famous as the screenwriter/director of The Other Side of Heaven. This name of the starship Wind Runner is probably not an allusion to that film.]|
|movies||galaxy||2555||Barton, William. Acts of Conscience. New York: Warner Books (1997); pg. 55.||Pg. 55: "I'd let it scan and found myself watching bits of old movies. I think I was watching a twenty-fourth 3vee re-creation of a prehistoric drama called The Philadelphia Story when Rossignol showed up... I think I said something about wishing there were pornode viddies starring Katherine Hepburn, but maybe it was before her time. "; Pg. 56: "Sometime later, I realized the spacesuit must have picked up on what I'd said, giving instructions to the house AI, blending the re-creation of Philadelphia with something called Bringing Up Baby, where dear old Kate gets it on with Cary Grant after all, I can't give you anything but love, Mr. Bone . . . " [Also pg. 142.]|
|movies||galaxy||2555||Barton, William. Acts of Conscience. New York: Warner Books (1997); pg. 56.||"Sometime later, I realized the spacesuit must have picked up on what I'd said, giving instructions to the house AI, blending the re-creation of Philadelphia with something called Bringing Up Baby, where dear old Kate gets it on with Cary Grant after all, I can't give you anything but love, Mr. Bone . . . "|
|movies||galaxy||2555||Barton, William. Acts of Conscience. New York: Warner Books (1997); pg. 179.||"There are moments when you feel exceptionally stupid, but then I remembered an old movie I'd seen, a twenty-third-century remake of The Mountain Men, set on an imaginary future Mars that'd been improbably well terraformed, entirely software-generated after the fashion of the times, featuring a faithfully resurrected version of Brian Keith. "|
|movies||galaxy||2555||Barton, William. Acts of Conscience. New York: Warner Books (1997); pg. 272.||"...in one of those old, old nature shows. Misty of Chincoteague, or something equally stupid. Lassie Come Home. "|
|movies||galaxy||2780||Simmons, Dan. The Fall of Hyperion. New York: Bantam (1991; 1st ed. 1990); pg. 349.||"The images were visual mosaics, but they always made Gladstone think of the earliest silent films of the Media Age. But this was no Charlie Chaplin comedy...' "|
|movies||galaxy||2786||Clarke, Arthur C. The Songs of Distant Earth. New York: Ballantine (1986); pg. 68.||"'...I expect many of you have seen the classic video antique, Mutiny on the Bounty.' "|
|movies||galaxy||3131||Simmons, Dan. The Rise of Endymion. New York: Bantam (1998 mass market edition; first ed. 1997); pg. 72.||Pg. 72: "'...People said 'Lions and Tigers and Bears' but what they were thinking was 'Jesus and Yahweh and E.T.' from that old flat film that Mr. W. showed us...' "; Pg. 73: "I had no idea why this city had been spared the earthquakes and fires of the Tribulations, or why the Lions and Tigers and Bears had rebuilt it. " [A reference to Wizard of Oz. See also pg. 93, etc.]|
|movies||Georgia, USA||1999||Bear, Greg. Darwin's Radio. New York: Del Rey (1999); pg. 76.||"Voight shrugged, pulled a chair away from a Formica table, and curled up his long legs like Fred Astaire. "|
|movies||Georgia: Atlanta||1988||Martin, George R. R. & John J. Miller. Wild Cards VII: Dead Man's Hand. New York: Bantam Books (1990); pg. 214.||Pg. 214: "The other networks were showing the same thing, as was CNN, but he found an old movie on Ted Turner's superstation. Colorized, unfortunately; Cary Grant was a strange shade of pink. Jay left it on anyway. "; Pg. 220: "A newsflash had banished Cary Grant from the television screen... "|
|movies||Georgia: Atlanta||1988||Martin, George R. R. & John J. Miller. Wild Cards VII: Dead Man's Hand. New York: Bantam Books (1990); pg. 239.||Pg. 239: "He had a gun. A big gun, one of those Dirty Harry jobs... "; Pg. 242: Boris Karloff|
|movies||Georgia: Atlanta||2039||Goonan, Kathleen Ann. Crescent City Rhapsody. New York: Tor (2001; c. 2000); pg. 456.||Gone With the Wind|
|movies||Germany||1934||Solosan, Don. "Great White Hunter " in Writers of the Future: Volume XV (Algis Budrys, ed.). Los Angeles: Bridge Publications (1999); pg. 407.|| "1934
Killing Hitler is fun, so I do it again.
The Sixth Nazi Party Congress is held in Nuremburg, and it's a big do. One of Germany's finest filmmakers, Leni Reifenstal, has been tapped to document the event, which is tailored to the camera: massive, majestic, unfolding in geometric precision. The resulting film, Triumph of the Will, is meant to reveal to the world what the German people already know in their hearts--that the little bastard is one swell guy. "; Pg. 408: "And no one knew but me! Reifenstal caught it all on film in Failure of the Will, just like Zapruder. Their heads exploded like they were filled with red dust. "
|movies||Germany||1983||Egan, Greg. Permutation City. New York: HarperPrism (1995); pg. 161.||"Thomas fell asleep watching an old John Wayne movie. "|
|movies||Germany||1987||Milan, Victor W. "Puppets " in Wild Cards IV: Aces Abroad (George R.R. Martin, ed.) New York: Bantam (1988); pg. 349.||Pg. 349: "The driver flashed a grin over his shoulder. He resembled a smaller edition of Tom Cruise, though more ferret faced. "; Pg. 361: Inherit the Wind|
|movies||Germany||2003||Barnes, John. Kaleidoscope Century. New York: Tor (1995); pg. 107.||"Twenty minutes later I walked into a little German village, a quiet, a quiet, sleepy kind of place that had a couple of gas stations, an old shut-down movie theater, and one tiny Catholic church next to one tiny Lutheran church, all surrounded by about fifty houses. "|
|movies||Gotham||1976||O'Neil, Dennis. "There is No Hope in Crime Alley " in Batman in the Seventies, (Michael Wright, ed.) New York: DC Comics (1999; story first pub. in Detective Comics #457, March 1976); pg. 12.||[The name of actor Clark Gable can be seen on the marquee of a run-down movie theater in Crime Alley. The same image, with Clark Gable's name, can be seen on page 19.]|
|movies||Grenada||2022||Sterling, Bruce. Islands in the Net. New York: Arbor House/William Morrow (1988); pg. 163.|| "Private security dressed like Keystone Kops, cute tall hats and brass-buttoned coats.
...The walls were hung with Arthur's blowups: moody landscape studies, bare trees, a round-faced model in Garbo black-and-white with a cat-eating-cream look on her face... "
|movies||Guatemala||2025||Shepard, Lucius. "Fire Zone Emerald " in Future on Fire (Orson Scott Card, ed.) New York: Tor (1991; story copyright 1987); pg. 106.||"Mathis went on. 'Gonna be like them ol' Jap movies. Little men with guns actin' all brave... 'til they see somethin' big and hairy comin' at 'em, munchin' treetops and spittin' fire. Then off they run, yellin', 'Tokyo is doomed!' ' "|
|movies||Guernsey||1944||Allred, Lee. "The Greatest Danger " in Drakas! (S. M. Sterling, ed.) New York: Baen (2000); pg. 198.||"The Draka had initiated a spate of sporting events, musical concerts, and theatrical shows. What proved to be most popular was their bringing to the islands several new Hollywood motion picture films. For the last four years the only motion pictures to be seen were those that had been playing at the Gaumont Palace the day the Nazis had landed--Top Hat and The Barretts of Wimpole Street--of which the islanders were thoroughly sick. The Dancing Cavalier, with Errol Flynn and Carole Lombard, had been a big hit, even if it was two years old. " [The Dancing Cavalier also mentioned pg. 213. Note that this is a 'fictional movie': In real history, this film was never actually made.]|
|movies||Guernsey||1944||Allred, Lee. "The Greatest Danger " in Drakas! (S. M. Sterling, ed.) New York: Baen (2000); pg. 200.|| "'...They're supposed to remind my troops they're Draka supermen.' He made a face.
'Are they? They don't act like it.'
He set down his brush. 'It may surprise you that there are actually a number of Draka like them. Not all of us are your Hollywood stereotype villains.' "
|movies||Guernsey||1944||Allred, Lee. "The Greatest Danger " in Drakas! (S. M. Sterling, ed.) New York: Baen (2000); pg. 209.|| "Verwoerd looked around at all the Tolgren machine pistols pointed his direction. 'I suppose this is the part where I'm supposed to make a desperate leap like some Hollywood hero?'
'I'd shore like it ifn' you was to try, old man. Less fuss for me in the long run.'
Verwoerd calmly put his hat on. 'Sorry if I disappoint you; I'm a little too old for Hollywood derring-do. Besides, I prefer the more cerebral approach.' "
|movies||Hawaii||1994||Simmons, Dan. Fires of Eden. New York: G. P. Putnam's Sons (1994); pg. 55.||Pg. 55: "'...Shoot, I seen that plot in the movie Poltergeist a bunch of years ago, and about a hundred movies like it...' "; Pg. 153: Paul Newman; Ernest Borgnine; James Franciscus; The Towering Inferno; Airport|
|movies||Iceland||1945||Millar, Mark. Ultimates Vol. 1: Super-Human. New York: Marvel Comics Group (2002) [Graphic novel reprint of The Ultimates #1-6]; pg. Chap. 1, pg. 11.||"Cap, this is Betty Boop: What in God's name are you doing, soldier? " [Betty Boop: apparently the name of an airplane.]|
|movies||Idaho||1985||Dick, Philip K. In Milton Lumky Territory. Pleasantville, NY: Dragon Press (1985); pg. 14.||Ronald Colman|
|movies||Illinois||1928||Bradbury, Ray. Dandelion Wine. New York: Bantam (1982; c. 1957); pg. 7.||Pg. 7: "'Books I read: four hundred. Matinees I seen: forty Buck Joneses, thirty Jack Hoxies, forty-five Tom Mixes, thirty-nine Hoot Hibsons, one hundred and ninety-two single and separate Felix-the-Cat cartoons, ten Douglas Fairbankses, eight repeats on Lon Chaney in The Phantom of the Opera, four Milton Sillses, and one Adolph Menjou thing about love where I spent ninety hours... The Cat and the Canary or The Bat... ";
Pg. 159: Charlie Chaplin [May be other movie refs.]
|movies||Illinois||1940||Turtledove, Harry. Worldwar: In the Balance. New York: Ballantine (1994); pg. 25.||David Niven|
|movies||Illinois||1960||Simmons, Dan. Summer of Night. New York: G. P. Putnam's Sons (1991); pg. 195.||Pg. 191: "On Saturday, the Free Show of the summer featured Hercules, an older movie... "; Pg. 195: "The cartoon was over and his assistant was rushing to cue up the short subject--a 20th Century newsreel about the spread of Communism, narrated by Walter Cronkite... " [More, pg. 196.]; Pg. 299: "...Somebody Up There Likes Me, a boxing movie... Naked City... " (also pg. 308); Pg. 406: "'A Vince Price film, I believe, sir,' said the man. 'A motion pictured called The House of Usher.' "; Pg. 544: "'Sh--,' said Harlen, sliding down a steep pitch of gable to the edge of the roof, 'I think I saw this scene in Mighty Joe Young.' "; Pg. 553: Gary Cooper|
|movies||Illinois||1988||Byrne, John L. Fearbook. New York: Warner (1988); pg. 8.||"As a boy of six, growing up in Evanston, Illinois, he'd seen Christmas in Connecticut on the family's tiny black-and-white TV. Something in that Hollywood imagery had touched his young soul. He found himself checking the TV Guide for any time the movie might be repeated. "|
|movies||Illinois||1989||Simmons, Dan. Phases of Gravity. New York: Bantam (1989); pg. 58.||Pg. 58: "...cartoons where no lesser personages than Bugs Bunny and Donald Duck sold war bonds, and such film classics as Fly By Night, Saps at Sea, Broadway Limited, and Once Upon a Honeymoon. "; Pg. 60: "He rode in a twenty-year-old white Mustang convertible. Mayor Seaton sat to his right, Mr. Gibbons or Gibson to his let, and Bill Ackroyd rode up front next to the teenaged driver. "; Pg. 72: "...so we can sit home and watch Debbie Does Dallas on our VCRs. "|
|movies||India: Calcutta||1977||Simmons, Dan. Song of Kali. New York: Tor (1998; c. 1985); pg. 152.||Pg. 152: "'Either my family goes along today or I don't go at all. To tell you the truth, Mr. Gupta, I'm a little tired of this James Bond bullsh--...' "; Pg. 158: "They watched Laurel and Hardy, and Mickey Mouse cartoons. "|
|movies||Indiana||1965||Clarke, Arthur C. & Gentry Lee. Cradle. New York: Warner Books (1988); pg. 43.||"She showed him how to inhale and hold in the smoke, how not to bogart the joint... "|
|movies||Iowa||1996||Rusch, Kristine Kathryn. "Faith " in Alternate Tyrants (Mike Resnick, ed.) New York: Tor (1997); pg. 209.||"'Suddenly I couldn't resist. Apple pie a la mode and gut-churning diner coffee with a woman who claimed she was God's widow in a neighborhood out of an aging Capra film. "|
|movies||Israel||1981||Simmons, Dan. Carrion Comfort. New York: Warner Books (1990; c. 1989); pg. 510.||The Bridge on the River Kwai|
|movies||Italy||1974||Cox, Greg. The Eugenics Wars: The Rise and Fall of Khan Noonien Singh: Volume One (Star Trek). New York: Pocket Books (2001); pg. 71.||Pg. 71: "'Maybe he's super-smart, she speculated, like the mousie in that Cliff Robertson movie? Roberta remembered crying when the mouse died in the motion picture. " Pg. 199: Julie Newmar|
|movies||Italy||1996||Knight, Damon. Humpty Dumpty: An Oval. New York: Tor (1996); pg. 58.||Pg. 58: "'Latin type?'
'I suppose so, Latin, yes.'
'Like Rudolph Valentino?'
'No, more like Ezio Pinza. Or maybe a little like Danny DeVito, only taller.' ";
Pg. 82: "Another year we met an actor and his wife, the one who played Mr. Magoo. "
|movies||Kansas||1965||Maggin, Elliot S. Superman: Miracle Monday. New York: Warner Books (1981); pg. 20.||Pg. 20: Clark Gable; Marilyn Monroe; Pg. 32: "Aluminum foil lined the bedroom walls and the ceiling was papered with posters of John Travolta, Christopher Reeve and Jack Nicholson. "; Pg. 58: Kate Jackson, Lillian Hellman; Pg. 59: Al Pacino|
|movies||Kansas||1989||Denton, Bradley. Buddy Holly Is Alive and Well on Ganymede. New York: William Morrow and Co. (1991); pg. 4.||Pg. 4: "...John Wayne in The Searchers, the 1956 John Ford western that gave Buddy Holly the phrase that led to his first hit single... If I didn't hurry, I'd miss the Indian attack and the slaughter of most of John Wayne's relatives... "; Pg. 5: "I dashed into he living room and saw John Wayne on the Sony, as big as life and twice as studly. You never would have thought to look at him that he would eventually have a pig valve in his heart. " [Other refs. to John Wayne and The Searchers pg. 6-12.]|
|movies||Kansas||1989||Denton, Bradley. Buddy Holly Is Alive and Well on Ganymede. New York: William Morrow and Co. (1991); pg. 29.||"...after seeing Marlon Brando and Lee Marvin beat the crap out of each other in The Wild One "|
|movies||Kansas||1989||Denton, Bradley. Buddy Holly Is Alive and Well on Ganymede. New York: William Morrow and Co. (1991); pg. 96.||"Tornadoes occur in any number of sizes... Most people who have never seen one assume that they all look like the one in The Wizard of Oz. Long and snaky--a twisting, dancing devil. The tornado in The Wizard of Oz is a mewling infant. "|
|movies||Kansas||1989||Denton, Bradley. Buddy Holly Is Alive and Well on Ganymede. New York: William Morrow and Co. (1991); pg. 311.||"'I know that everybody blames me for what's happened, but I'm innocent! Have you seen The Ox Bow Incident? Same deal!' "|
|movies||Louisiana||1987||Geary, Patricia. Strange Toys. New York: Bantam (1989; c. 1987); pg. 108.||"We paraded in the front door and were all struck dumb by the opulence, gold as the treasure room in The Seventh Voyage of Sinbad... She wasn't even upset when she discovered she'd been shrunk. All she did was tease handsome Sinbad about how we he couldn't still love her if she was so small. But her size didn't make any difference to him. He was nice to everyone and said his prayers to Allah. "|
|movies||Louisiana||1987||Shepard, Lucius. Green Eyes. New York: Ace Books (1984); pg. 93.||Martial Arts Mistress; Busby Berkley; Hollywood|
|movies||Louisiana: New Orleans||1990||Rice, Anne. The Witching Hour. New York: Ballantine (1993; c. 1990); pg. 27.||Pg. 27: Great Expectations; Rebecca; Gaslight; The Red Shoes; Pg. 42: Rebecca; The Red Shoes; The Tales of Hoffman; Aida; A Song to Remember; Caesar and Cleopatra with Claud Rains and Vivien Leigh; The Late George Apley with Ronald Colman; Pg. 52: Lust for Live; Marty; On the Waterfront; Pg. 54: Never on Sunday with Melina Mercouri and La Dolce Vita made by Fellini; Pg. 55: Alec Guinness; Ingmar Bergman; Pg. 632: Sidney Greenstreet; Humphrey Bogart; Pg. 678: "'...I don't want to sound like Marlon Brando in On the Waterfront, but the crickets make me nervous in the country too...' "|
|movies||Louisiana: New Orleans||1998||Wood, Crystal. Cut Him Out in Little Stars. Denton, TX: Tattersall Publishing (revised and reprinted 1998; c. 1994); pg. 158.||Pg. 158: Danny DeVito; Pg. 159: John Wayne|
|movies||Louisiana: New Orleans||1998||Wood, Crystal. Cut Him Out in Little Stars. Denton, TX: Tattersall Publishing (revised and reprinted 1998; c. 1994); pg. 159.||James Bond|
|movies||Luna||2179||Sawyer, Robert J. Golden Fleece. New York: Time Warner (1990); pg. 19.||"Only those with the sophistication to place ears above their world were welcome to listen in. The SPIELBERG system in Mechnikov Crater, part of the University of California at Far Side, was the first to pick up the signal. " [named after filmmaker Steven Spielberg.]|
|movies||Maine||1979||King, Stephen. Carrie. New York: Pocket Books (2000; c. 1974); pg. 16.||Pg. 16: John Wayne|
|movies||Mali||2022||Sterling, Bruce. Islands in the Net. New York: Arbor House/William Morrow (1988); pg. 277.||"Then there were movies. The Sands of Iwo Jima. The Green Berets. Fantastic, hallucinatory violence. Enemies would be shot and fall down neatly, like paper cutouts... One week a film arrived called The Road to Morocco. " [More about this. Bing Cosby and Bob Hope mentioned.]|
|movies||Mars||1994||Dick, Philip K. Martian Time-Slip. New York: Ballantine (1981; c. 1964); pg. 52.||Red Fox|
|movies||Mars||2011||Zubrin, Robert. First Landing. New York: Ace Books (2002; c. 2001); pg. 25.||Pg. 25: "Ah, Rebecca, goddess with the mind of an Einstein in the body of the young Kelly McGillis. And the heart of Joan of Arc, La Passionara, Bernadette Devlin. "; Pg. 28: "He looked like he'd just walked off the set of Twelve O'Clock High. "|
|movies||Mars||2109||Barnes, John. Kaleidoscope Century. New York: Tor (1995); pg. 30.|| "I remember Woody Allen had a movie, a real old one I saw once. A health nut woke up in the future and it turned out all the things like hot fudge, steak, and cigars were what was really good for you.
No hot fudge or steak among the stacked meals in the fridge. No beef at all, in fact. Are cows extinct or am I Hindu? "
|movies||Massachusetts||1970||White, E. B. The Trumpet of the Swan. New York: Harper & Row (1970); pg. 125.|| "'You'd take Richard Burton and Elizabeth Taylor, wouldn't you, if they wanted to spend the night?'
'Of course,' replied the clerk.
'You'd take Queen Elizabeth, wouldn't you?'
'O.K.,' said the Boatman. 'My friend here is a celebrity. He is a famous musician. He created a sensation in the Public Garden this afternoon.' "
|movies||Massachusetts||1997||Lobdell, Scott & Elliot S. Maggin. Generation X. New York: Berkley (1997); pg. 14.|| "'You look like hell,' he noticed Monet's dirt-caked face and clothes, 'what happened?'
'You're no Clark Gable yourself, Skin,' Monet said, and he wasn't. "
|movies||Massachusetts||1997||Lobdell, Scott & Elliot S. Maggin. Generation X. New York: Berkley (1997); pg. 123.||"From the air, McCoy had seen an old Coppertone billboard with a baby Jody Foster in her undies. When Brown passed it they both knew he would arrive soon. "|
|movies||Massachusetts||1997||Lobdell, Scott & Elliot S. Maggin. Generation X. New York: Berkley (1997); pg. 47.|| "'They were too young.'
'We're all too young,' Sean said. 'George Burns was too young...'
'Philosophy doesn't become you, Sean.' Emma said icily, 'and your analogy doesn't hold up. I wasn't responsible for George Burns's death.'
'Weren't you, by your reasoning?' Sean posed.
'George Burns died of old age a few weeks after his hundredth birthday.'
'You hustled to try to save the Hellions,' Sean said, 'but you didn't run off to Beverly Hills to feed George Burns hot chicken soup and take him for his daily walks when you heard he'd turned a hundred.'
'I wasn't responsible for the life of George Burns!' Emma snapped. 'I was responsible for the Hellions--for their lives, and for their deaths.' "
|movies||Massachusetts||1997||Lobdell, Scott & Elliot S. Maggin. Generation X. New York: Berkley (1997); pg. 57.||"And perched atop the flying roots, riding it and hollering like Slim Pickens on the shaft of the H-bomb in the last scene of Dr. Strangelove, was a woman in purple and black... "|
|movies||Massachusetts||1997||Lobdell, Scott & Elliot S. Maggin. Generation X. New York: Berkley (1997); pg. 270.|| "'What was that line? she asked 'When a friend dies, you lose a friend, but when you die you lose all your friends.'
'Jack Lemmon,' Jono said.
'Really? He's pretty healthy, isn't he?'
'Yeah, but he played a guy who was dying in a movie called Tribute. He was this very self-indulgent superannuated teenager. Not much like Walter.' "
|movies||Massachusetts||1997||Lobdell, Scott & Elliot S. Maggin. Generation X. New York: Berkley (1997); pg. 105.||"Monet sighted. She had planned to take herself out in East Barrington tonight to see the new Brad Pitt film. She knew this meeting was important, but she really wanted to see that movie. "|
|movies||Massachusetts: Boston||1972||DuBois, Brendan. Resurrection Day. New York: G. P. Putnam's Sons (1999); pg. 133.||"'Unless you're a typical male and have a pinup stuck on your wall, like Raquel Welch or Marilyn Monroe or somebody.' "|
|movies||Massachusetts: Boston||1997||Lobdell, Scott & Elliot S. Maggin. Generation X. New York: Berkley (1997); pg. 99.||"'It's the Fifty-Fourth Regiment Memorial! The first black infantry unit in the Civil War. Remember Glory? Denzel Washington won an Oscar. We lost the battle but we won the war.' Everett was beside himself with the excitement of his discovery. "|